In September this year I entered the 20:20 Print Exchange with nine other members of Cowprint, the printmakers group associated with the Red Hot Press. The exchange is run by the Hot Bed Press in Salford, UK and has been running annually since it was set up in 2009 with an exchange of prints between the Red Hot Press in Southampton and Hot Bed Press. The project has grown rapidly with this year a record 18,300 prints from 732 artists and 45 workshops and groups as far afield as Moscow, Hong Kong and Canada.
Each artist is asked to produce a new edition of 25 prints on paper sized 20 x 20 cm. In return each artist receives a box set of 20 randomly selected prints including one of their own.
My entry was this four plate wood cut of the Magnolia in our back garden. In late Autumn the leaves turn shades of golden yellow and orange and in the morning light it shines like a beacon against a darker backdrop of woodland. The tree overhangs the lawn and I often wonder what it would be like if the lawn was a large pond instead. We often get damsel flies in the garden so it seemed appropriate to include a couple hovering over the imaginary pond.
Earlier this month Cowprint members gathered together to receive our boxes – there’s a lot of anticipation as to what type of prints you might get and where they might come from I was very pleased with my box which included some really beautiful prints and such a wide variety of techniques and subject matter.
For more details of my print see Autumn Magnolia and you can see my collection of prints from the box set below:
Im really excited today as St Barbe Museum and Art Gallery in Lymington have selected this wood engraving for their forth coming Open Exhibition which starts on 23 March and ends 2 June 2019. This is only my second wood engraving, completed on an introductory course at the Red Hot press, Southampton in January 2019 with tutor Jutta Manser. This is also my first entry into an open exhibition too! Cant wait for the exhibition!
For many years we have walked the coastal path along the edge of Hamble Common looking out on to Southampton Water and to the New Forest and Isle of Wight beyond. Each winter the storms batter the soft clay and shingle shore line and clumps of the grassy banks gradually fall into the water and are washed out to sea. This winter I joined Hamble Conservation Volunteers to do occasional beach cleans and was surprised to see how far the banks of the Common have been eroded. What was really fascinating was how the clumps of grass work their way down the beach with each successive tide, gradually being eroded and appearing like tufts of hair rising above the incoming tide. This wood engraving image tries to capture the scene looking back towards the shore, across the shingle beach, as the tide comes in to claim more of the grassy clumps.
After finishing the course I set about editioning the wood block which was much harder than I thought it would be; getting the press set at the right height/pressure and just the right amount of ink to avoid loosing the crisp lines of the engraving. After a bit of practice I got the hang of it and managed to get some decent editions done.